Showing 1–20 of 26 results
Bravely fought the queen
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“First staged in Mumbai in 1991, Bravely Fought the Queen juggles between two spaces – centre stage where an empirical drama removes the mask of hypocrisy from a seemingly ‘normal’ urban household; and a small, rear backdrop from where emerges the raison d’être of each protagonist.
The family in focus is that of two brothers, Jiten and Nitin, who run an advertising agency and are married to sisters: Dolly and Alka. Their mother, Baa, moves between the two households, attached more to her memories of the past than to any present reality. Marital friction, sibling rivalry, the traditional tension between mother-in-law and daughters-in-law, the darker moments of business and personal dealings, the play takes us through the entire gamut of emotional experience as it winds to a climactic finish.
With its relentless pace, crisp idiom and unflinching insight into the urban milieu, this is a play that confirms Mahesh Dattani’s reputation as India’s most influential playwright.”
She Walks, She Leads
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These are some snippets from She Walks, She Leads, which profiles sixteen iconic women in modern India. These leaders tell their stories, up close and personal. Their relentless ambition to shatter the glass ceiling, their pursuit for excellence and the challenges that came their way-all of this is captured vividly in this exclusive anthology. Each chapter is based on extensive research and has never-seen-before photographs of these luminaries. The chapters are followed by interviews with their companions and confidants who have seen them grow over the years. The women leaders profiled in the book come from different fields like banking, media, cinema, sports, fashion, philanthropy and industry.
Running with the Dragon
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Are there lessons to learn from the manner Chinese companies have grown tenfold or more in their home markets, and pushed away competitors of all hues in the US, Europe, Asia and Africa? What drives China’s international trade surplus, which was $351 billion in 2018, while India ended the 2018-19 financial year with trade deficit of $103 billion? Are we in India ready to learn and seize new opportunities as part of the overall objective to become a $5-trillion economy?
The Chinese invest hugely in understanding foreign cultures and markets while basking in the knowledge that their competitors and would-be allies are unlikely to make sufficient effort to understand them. This is one reason why Chinese manufacturers have broken into the Indian market, making brands like Xiaomi, Haier, Huawei, ZTE, and Lenovo household names in major cities. Hardly any Indian product, with the exception of Tata Motors’ Jaguar, seen primarily as a British brand, has gained a foothold in China.
However, huge opportunities exist and it is possible to both compete and collaborate with the Chinese on our own terms. Entrepreneurs like Rajendra S. Pawar, chairman of NIIT, have shown the way, spending years learning the Chinese way of doing business, going on to establish IT teaching facilities in nearly a hundred universities and institutions in China. Some Indian pharmaceutical companies are also making their mark in China.
Running with the Dragon seeks answers about what Chinese companies are likely to do next to expand in the Indian market under different scenarios. Things are likely to change as the government is keen on removing stumbling blocks for Chinese investments amidst a decelerating economy. Indian businesses in different sectors will have to decide if they want to fight the new competition or collaborate with rivals. The book reflects the experience of over forty Indian and Chinese businesspeople, officials and experts besides the author’s own analysis.
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India is one of the largest economies in the world today. India’s finance minister has predicted it would be the third largest by 2030. Yet, an average Indian is worse off than his counterpart in other developing nations like Algeria, Indonesia, Mongolia and Morocco.
India’s infant mortality rate is worse than Iraq’s. An average Indian makes less money than a Sri Lankan. The female literacy rate is worse than Congo’s. And life expectancy in one of the world’s polluted countries is lower than Bangladesh’s. How can we explain this dichotomy? This is the India that the government does not want you to know about: the India where healthcare doesn’t work, corruption is rampant, criminals get elected to public office, the rich go scot-free, most people don’t pay income taxes and inequality is out of control.
Dev Kar, a former senior economist at the International Monetary Fund, points out the truth behind the noise of popular media and jingoism of leaders. Meticulously researched and objectively narrated, this enlightening book tells us why India continues to be a shackled giant and how it can find the road to redemption.
The Tech Whisperer
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Companies all over the world are being buffeted by new technologies, disruptive business models and start-up innovation. Business leaders know that they need to adopt these new technologies like blockchain, artificial intelligence and Internet of things, and transform their companies using them to keep pace with rapid customer and business environment changes. Therefore, there is an urgent need to understand the basic principles of digital transformation and the technology forces that enable this shift.
The Tech Whisperer, as the name suggests, demystifies and simplifies emerging technologies like AI, blockchain, Internet of things, virtual reality, etc. and narrates how companies can employ these to drive their digital transformation.
Jaspreet Bindra has been a leading practitioner and thought leader in digital transformation and technology. In his first book, he gives an engaging and forward-looking practitioner’s view which can help business leaders, entrepreneurs and anyone looking to understand digital transformation and technology, and leverage them for their future success.
“Guru Dutt is now named along with the masters of world cinema—like Orson Welles, Mizoguchi, Hitchcock, Jancso, Ophüls—for his innovative cinematic form and his deep humanism and compassion. In Guru Dutt: A Tragedy in Three Acts, renowned film-maker and scholar Arun Khopkar sheds new light on Dutt’s genius through a close examination of Dutt’s three best-known films—Pyaasa, Kaagaz Ke Phool and Sahib Bibi Aur Ghulam. With a nuanced eye, Khopkar explores the historical context which influenced Dutt’s deeply melancholic style while also analysing the intricacies of the medium—acting, lighting, music, editing, rhythm—that Dutt carefully deployed to create his masterpieces.
Originally written in Marathi, this exquisite English translation paints a layered portrait of a troubled genius for whom art was not merely a thing of beauty but a vital part of living itself.”
Shobhaa De Books Box Set
Salman Khan turns fifty on 27 December 2015. Having made his film debut in 1988, he has found his place in the hearts of millions, with blockbuster movies ranging from Maine Pyar Kiya and Hum Aapke Hain Koun to the more recent Dabangg, Ek Tha Tiger, Kick and Bajrangi Bhaijaan to his credit. He is also well known for his magnanimity, including his work with the non-profit charitable organization, Being Human, which he runs.
Salman’s stint with controversies has been as long as his career. His personal life has often made headlines, as have his involvements in the blackbuck poaching case and the hit-and-run case. He has a reputation for getting hot under the collar and abusive when riled. These attributes have earned him the dubious title of the ‘bad boy of Bollywood’.
Which is the real Salman Khan? Why is he the way he is?
This book delves into Salman’s family lineage and his personal history to reveal interesting vignettes and unknown facts about the enigmatic and immensely popular superstar, and will help his many fans understand what ‘Being Salman’ is all about.
The Style Diary of a Bollywood Diva
Kareena Kapoor was born to be a star! In her first-ever book, the ultimate glamour girl lets you into her fabulous life and reveals her best-kept style and beauty secrets.
Bebo’s fashion, beauty and make-up tricks and tips!
Get a Size Zero body with Bebo’s diet and fitness regime
Replicate her looks from all her hit films
Learn about Bebo’s must-visit hotels and restaurants
Learn how to treat and dress your man right and the inside story of the romance with Saif Ali Khan
Classic George Orwell
In this highly acclaimed book of conversations with Nasreen Munni Kabir, Waheeda Rehman speaks about her life and work with refreshing honesty, humour and insight: from detailing her personal triumphs and tribulations to giving enthralling accounts of working with cinematic personalities like Guru Dutt, Satyajit Ray, Raj Kapoor and Dev Anand. Against all odds, she successfully made a life in cinema on her own terms. Filled with compelling anecdotes and astute observations, this is a riveting slice of film history that provides a rare view of a much-adored and award-winning screen legend.
Classic Aubrey Menen
“Bollywood Nation charts the evolution of Indian cinema from its mythological films in the early 20th century to its world-class gangster and terrorist melodramas of today. In doing so, the book investigates why and how our films have become so deeply embedded in the nation’s popular imagination. Is it merely that cinema is the only common form of mass national culture in a country that does not have either a common language or a common religion—or is it entwined with greater social, cultural and spiritual aspirations?
By narrating the story of India through the stories that our films tell us, Vamsee Juluri posits cinema as the voice of the nation and examines how it has shaped our understanding of our place in the world.”
‘We are like the Corleones in The Godfather’—Randhir Kapoor There is no film family quite like the Kapoors. A family of professional actors and directors, they span almost eighty years of film-making in India, from the 1920s to the present. Each decade in the history of Hindi films has had at least one Kapoor—if not more—playing a large part in defining it. Never before have four generations of this family—or five, if you include Bashesharnath Kapoor, Prithviraj Kapoor’s father, who played the judge in Awara—been brought together in one book. The Kapoors details the professional careers and personal lives of each generation—box-office successes and failures, the ideologies that informed their work, the larger-than-life Kapoor weddings and Holi celebrations, their extraordinary romantic liaisons and family relationships, their love for food and their dark passages with alcohol. Based on extensive personal interviews conducted over seven years with family members and friends, Madhu Jain goes behind the façade of each member of the Kapoor clan to reveal what makes them tick. The Kapoors resembles the films that the great showman Raj Kapoor made: grand and sweeping, with moments of high drama and touching emotion. ‘Few books on Indian cinema have been written with such wit, clarity and sparkle’—Outlook ‘Jain writes in a language that is simple and pithy. . . it will keep alive public interest in the Kapoors who refuse to call it a day’—Telegraph ‘Immensely readable…will surely find a place in the Indian cineaste’s library’—Biblio
Prakash Iyer Two Books Combo (The Secet of Leadership & The Habit of Winning)
“Cruel landlords; crafty moneylenders; corrupt politicians; righteous heroes and uninhibited dancing girls—just some of the characters of a successful Bhojpuri film.
Often considered kitschy and crude by ‘polite’ society; Bhojpuri cinema has had astounding success from the 1990s onwards; which can only be explained by its overwhelming popularity among the other half of new India. What is it that makes Bhojpuri cinema tick? What is the logic of its aesthetics? And most importantly; how did these regional language films become a profitable industry?
Answering many of these questions and written with a deep sensitivity for the genre; Cinema Bhojpuri is the one of the first studies of the history and themes of Bhojpuri cinema—the poor cousin of Bollywood. Basing his research on extensive personal interviews and analyses of trade journals from the 1960s onwards; Avijit Ghosh’s fascinating study unveils much about Bhojpuri cinema—from the making of the first Bhojpuri film; Ganga Maiya Tohe Piyari Chadhaibo; to the terrible lows of the 1980s when Bhojpuri cinema all but died; and right down to the present when the breathlessly-paced masala entertainers of Manoj Tiwari; Ravi Kishan and Dinesh Lal Yadav ‘Nirahua’ gave life to what Hindi cinema had left behind—rural India.”
Classic Sunil Gangopadhyay
“As a film-maker and film historian, B.D. Garga has closely witnessed and participated in the growth of Indian cinema from the early 1940s. With more than fifty years’ experience as a film journalist, and having served on various national and international film festival juries, he is probably India’s foremost authority on the subject of cinema.
In this extraordinary collection of essays, Garga delves into the vast repertoire of his scholarship and experience to provide an insider’s view of Indian and international cinema over the years. Even as he discusses the contribution of men behind the screen—the director, editor, cinematographer—he profiles some of the greatest masters of Indian cinema, like Himansu Rai and P.C. Barua, Bimal Roy and Raj Kapoor, while critically analysing some classic films from the golden era of cinema in India—Devdas (1935) and Sant Tukaram (1936) to Mother India (1957) and Mughal-e-Azam (1960).
Embellished with over forty exquisite and vintage photographs from the author’s private collection, The Making of Great Cinema also contains fascinating essays that highlight the contribution of the Soviet masters to international cinema; address important issues like film censorship, sex in Indian films and the relationship between film and politics; and provide a memorable account of the origins of cinema in India and the country’s many cinematic milestones.”
Me and My Plays
“Mahesh Dattani’s work has shaped contemporary English theatre in India over the past twenty-five years, boldly exploring themes like homosexuality, religious fanaticism, child sexual abuse and gender bias while also raising the bar for theatrical innovation. In Me and My Plays, he eloquently reflects on the highs and lows of surviving in a system largely indifferent to professional theatre.
Included in this edition are Where Did I Leave My Purdah?, which explores the life and travails of Nazia, a feisty actress now in her eighties, who is forced to confront her past demons when she attempts to stage a comeback, and The Big Fat City, a black comedy about the residents of an apartment complex in Mumbai who unwittingly become accomplices to a murder. Intense and hard-hitting, both plays deal with the lies that simmer beneath the surface of our daily lives.
Dance Like a Man
Jairaj Parekh and his wife Ratna, aging Bharatnatyam dancers, are engaged in finding a substitute mridangam player to accompany their daughter Lata at her performance at a high-profile dance festival. Lata, in the meantime, nervously awaits the meeting between her parents and Viswas, the young man she wishes to marry. When the four meet, and in the conversations and discussions that follow, the fissures in the relationship between Jairaj and Ratna begin to explode into high-strung battles which lead back to their own youth and the tragedy that lies at the heart of their discord. The younger couple have their own issues to contend with: the obvious mismatch between the two sets of parents, the arguments over Lata’s career as a dancer after marriage and most unsettling of all, Lata’s attempt to balance her parents’ ambition with her own needs and desires. A brilliant study of human relationships and weaknesses framed by the age-old battle between tradition and youthful rebellion, Dance Like a Man has been hailed as one of the best works of the dramatic imagination in recent times.
Tiger At Twilight & Cyclones, A
Mahesh Dattani is the first Indian-playwright writing in English to be awarded the Sahitya Akademi award. His plays bring Indian drama into the present day in their themes “sexuality, religious tension and gender issues” while still focussing on human relationships and personal and moral choices which are the classic concerns of world drama.
“Brief Candle: Three Plays brings together the most recent work of Sahitya Akademi award-winner Mahesh Dattani as he continues to explore subjects that need to be addressed but are relentlessly brushed under the carpet of middle-class morality—incest; gender bias and death.
The title play is set in a hospital ward where terminally ill patients put up an energetic farce in memory of their friend who died of cancer. The blurring of lines between their romp and the events of their own lives leads to revelations that are both tragic and life-affirming. In the radio play The Girl Who Touched the Stars; Bhavna—now an astronaut ready to take off on a mission into outer space—reflects on her past in this moment of glory; only to confront the bitter truths she has tried to ignore all her life. The fragile fabric of familial relations is ripped apart in Thirty Days in September when memories of a traumatic past return to haunt a mother and her daughter.
Playful and poignant; devastating and redemptive; these critically acclaimed plays lay bare the far-reaching consequences of the choices we make; confirming Dattani as one of India’s foremost dramatists.”
Saratchandra Omnibus Volume – 1
“Robert John Christo; popularly known as Bob Christo; was born in 1938 in Sydney; Australia. After completing his civil engineering in Sydney; he took on projects which involved supporting the military supply lines of the South Vietnamese army and working as construction supervisor on the film sets of Apocalypse Now. Led by his instincts; Christo zealously followed one aspiration after another: chasing after a lost spy ship; running an escort service; modelling for African beer; singing in rock concerts; and so on.
Bob Christo landed his first film role at the age of sixteen in a German movie; after working as an extra in the Düsseldorf National Theatre; Germany. Hoping to meet Parveen Babi in India; he chanced upon a part in Sanjay Khan’s Abdullah (1980) and then went on to act in hundreds of Hindi; Telugu; Tamil; Malayalam and Kannada films. In the year 2000 he became a yoga instructor after shifting base from Mumbai to Bangalore; where he passed away on 20 March 2011.”
Classic Jane Austen
National Award Winner: ‘Best Book On Film’ Year 2000.
Film Journalist Anupama Chopra Tells The Fascinating Story Of How A Four-Line Idea Grew To Become The Greatest Blockbuster Of Indian Cinema. Starting With The Tricky Process Of Casting, Moving On To The Actual Filming Over Two Years In A Barren, Rocky Landscape, And Finally The First Weeks After The Film’S Release When The Audience Stayed Away And The Trade Declared It A Flop, This Is A Story As Dramatic And Entertaining As Sholay Itself. With The Skill Of A Consummate Storyteller, Anupama Chopra Describes Amitabh Bachchan’S Struggle To Convince The Sippys To Choose Him, An Actor With Ten Flops Behind Him, Over The Flamboyant Shatrughan Sinha; The Last-Minute Confusion Over Dates That Led To Danny Dengzongpa’S Exit From The Fim, Handing The Role Of Gabbar Singh To Amjad Khan; And The Budding Romance Between Hema Malini And Dharmendra During The Shooting That Made The Spot Boys Some Extra Money And Almost Killed Amitabh.